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I do not get out enough. But when I think that almost always learn something.
Attending a party last week, I saw something new: between the bar and dance floor was a room of connection, and go through it, I noticed many party-goers on the walls, which in any case on its own to control their e-mail more.
Checking e-mail in the middle of a party?
Before the portable wireless devices, if you went to a social event, you had to jump into the water and be l 'Experience. In this scenario of forced socialization, very often actually met all new, and perhaps pursue some unexpected adventures.
Well, if you look a stranger at a party or interesting that you really need to be involved. It can only go out, check email and see if you can not find a soothing, recognizable face to hook up with the whole city.
One wonders, is this new behavior to fulfill the promise of the digital world by opening channelsCommunication, or is too close to them?
And what is the long-term price for technology that is paid reduces our concentration, patience and attention span?
Consider this in relation to the film. Despite the impact of technology, it seems that the public will always pay for everything they see shipments away from reality. Regardless of the quality, fantasy, comedies, action movies, and comic book adaptations have to stay here, because in most cases, that our attentionand you leave.
But what about serious drama - that is, realistic, uncompromising drama about regular people, the challenges of real life, large and small? These images can be less fun in the moment, but often end up having to valuable perspective on the human condition - something not found in your average Spine Tingler or farce.
If the prospect of venturing into a territory in distress and the familiarity of the film there will be increasingly retreat to review ourI-Phones are the pop-corn, or even worse, prevents us from buying a ticket in the first place?
Based solely on the results of box office, it seems serious drama is not taken seriously or to be more precise, not much used at all.
While larger than life to escape franchise hit (The Lord of the Rings, Harry Potter, James Bond, Pirates of the Caribbean, Indiana Jones, Batman, Spiderman and A Night at the Museum) routine gross between $ 500 million and one billion dollarsJust think of the magnitude of the difference in revenue for the ten heavy critically acclaimed dramas:
The reader - $ 67 mm in size
Milk - $ 51
Doubt - $ 46
Capote - $ 42
Into The Wild - $ 22
Little Children - $ 15
The Savages - $ 8
Frozen River - $ 2.5
Understanding of the significant differences in distribution and marketing could be placed behind these different types of film, but the fact that although most of the properties listed in an income, the degree ofPayback studies have been made by these successes in shame.
There is also a matter of exposure and the eyes: Although Oscar winner "milk" or "The Reader" is drawing only a fraction of the publication of "A Night At The Museum has offered," You think treatment is a variation on the theme: one ) do not, many people simply be moved to decide a potentially "difficult" film, or b) the directors of the study in advance, which can not see, and so the film is not easily accessible.
Tie backThe BlackBerry phenomenon, a series of subtle but disturbing, as occurs easily distracted, which is supplied to consumers still command their concentration decreased and tolerance, while the film that most demand, but in exchange offer will be more like you have never outside the Party meet a missed opportunity.
Mind you, even before the introduction of the Palm Pilot, films whose main purpose was to diversion and entertainment has always been the wider audience. The question is to compensateand Examination: Review of the Top Ten box-office title of the distant past, you could find some serious film sprinkled in comedies and adventure epic, with titles such as "Gone With the Wind, Mr. Smith Goes to Washington: The Best Years of our lives, The Bridge on the River Kwai, and The Graduate.
But what in the next forties until now, no film of this sort have always broken the top ten at the box office. Suffice to say, I would like this book.
HereThen there are five serious, human-scale domestic films that deserves a wider audience:
You Can Count on Me (2000) - Scarred by the loss of their parents years ago, he followed his brothers Sammy and Terry Prescott (Laura Linney, Mark Ruffalo), different walks of life. Is reflected in domestic life as a single mother, while he leads a miserable life on the streets. After a two years absence, Terry visits and asks him to borrow money, then stick around, as it has links with the son of Sammy's 8-yearsRudy (Rory Culkin).
This fascinating film explores how two very different brothers with a single front, life-changing tragedy, and how this event affects their own interactions. With a strong script and assured direction, this complex relationship with its mixture of humor and heartbreak vanished presented. Linney received an Oscar nod for her role as Sammy.
In The Bedroom (2001) - as the college age son Frank home his new girlfriend, Nathalie (Marisa Tomei) takes, parentsMatt Tom Wilkinson) and Ruth (Sissy Spacek) (worry that Nathalie is a mother of two children, whose volatile ex emotionally can not get rid of her. None of them want to believe that Frank's life in danger, or can imagine how, if and when the worst seems to be the answer.
Todd Field's directorial debut impressive effects, the cards will be inconsolable and corrosive of the disease in a pair Maine. Alternatively tense, shocking and devastating, "Room" presented stabbedexquisite performances by veterans of Wilkinson and Spacek, whose emotional turmoil felt terribly real.
Achieving Tape (2001) - in a seedy motel in Lansing, Michigan, bright, even under-drug-dealer Vince (Ethan Hawke) is reunited with high school friend Jon (Robert Sean Leonard), now a filmmaker. Vince begins a gradual attack against himself satisfied with his friend, Jon accused of date-rape Vince's ex-girlfriend Amy previous year. To make things more interesting, Amy (Uma Thurman) is madelive nearby, and Vince has invited you to join them. This makes for a gathering of more unconventional high school.
Director Richard Linklater, who dares to hold a drama set in a dirty one, and thanks to a script to bite and excellent performance, it happens. Although Thurman masterfully plays the central role of Amy, fewer victims than women saw a free-standing quarrel with amazement at two men, the show is Hawke and Leonard, like their characters engage in a fierce battle of the minds withlife-changing effects. Taut and intelligent, "ribbon" are extremely satisfied with the rates.
Away From Her (2006) - Soul-mates Fiona (Julie Christie) and Grant (Gordon Pinsent) have led a long and happy marriage together in the rural areas of northern reaches Comfort Canada. But when Fiona's memory begins to slip, and it is frightening disoriented, they want a way to treat with care. Then a twist spores guilt Grant and conflicts of past indiscretions.
Directed by SarahPolley, "Away From Her," he observed with elegiac warmth and delicacy of the emotional turmoil has hit a couple in their silver years for the onset of Alzheimer's disease. In his directorial debut, (Polley better known as actor), offers good examples of sentences from a talented cast - particularly from the still radiant Christie, whose erratic behavior and fears of mounting rapidly moving to a nursing home where you begin to forget the people who have spent most of their years. Mournful yet defiant, "Away FromHis "is a mobile studio of marriage, including Ingmar Bergman would be proud.
Half Nelson (2006) - I am looking for concrete ideas, instead of dry facts, eighth grade history teacher Dan (Ryan Gosling), who loves to teach his students to engage in conversations significant downtown, and has a good relationship with most incumbents, especially Drey (Shareeka Epps), a brilliant student, also coaches the girls basketball team. But Dan's personal life is of serious drug use, a secret Drey soon overshadowed, Discovered by accident.
Gosling gives a fearless performance as the idealistic young teacher, a voice in the class has, however, begin their addiction, is his job performance and his friendship with Drey's influence with a mix of fascination and intensive street relocate hardened starring Epps. Intelligent and strong sentimental, "Half Nelson got" their hold on you.
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